Disney Summer Movies 2011: Strike One

There are four big Disney and Pixar releases this summer. Two of them are my two big summer movies- Winnie the Pooh (Walt Disney Animation Studios)

and The Help (through Touchstone, which is an adult Disney division).

I have been waiting for both of those movies for months, devouring the trailers, which are fantastic, and counting down days. If that doesn't give you a window into my brain, I don't know what does. Winnie the Pooh will be coming out on July 15 and The Help will be released on August 10th. I will let you know what I think when they finally surface.

The big May and June releases have already happened, however, and they are Pirates of the Caribbean 4 and Cars 2. I did not see Pirates and don't really plan to. Maybe eventually. I still haven't seen the first three, to tell the truth. I started watching the first but lost interest about half an hour in and haven't tried again since. From what I've heard I'm not missing all that much and the new sequel doesn't do much to help the series' cause. I will say that I'm glad that it's revived an interest in the ride at the parks, which has always been a favorite of mine. The new movie based audio-animatronics are impressive and the way that they have incorporated the film into the ride honors the original while giving Jack Sparrow to a new generation that expects to see him. They've done well in that regard.

Not the most imaginative poster I've seen...

Over the holiday weekend I saw Cars 2. The only reason I went out of my way is that I had "free" tickets because I had bough blu-rays a while back that came with free tickets as long as they are $8.50 or under. Unfortunately, in New York City, movie tickets are $13. No. Not for 3D. For plain old 2D. But still, it took me 20 convoluted and frustrating minutes to process my free tickets online, so I'll be darned if I wasn't going to use it and $4.50 isn't bad for a movie. Plus I always feel like I can't have a valid opinion on something unless I've seen something for myself.

It hurts my soul to say this, but Pixar has finally produced a movie that is flat out not good. As I've mentioned before, I'm not a fan of the original Cars. In my humble opinion, it was the only dud in the Pixar canon. I was not drawn to any of the characters, the world of the movie asks that I suspend far more disbelief than I am willing to in order for it to make sense, the storytelling was rather weak, the art was well-done but pedestrian, and, frankly, I was bored by it. There were things that I appreciated about it (the attempt to reach out to boys with characters they could instantly bond with, the idea of small town America being just as important as big cities, the lesson of humbling yourself and reaching out to those that are different than you for mentorship and friendship), but it was easily and without question at the bottom by far of my list of Pixar films.

Until now. I actively love all of the Pixar movies and think they are brilliant with two exceptions. I am pretty much neutral on Cars and I now actively dislike Cars 2. Hate is a strong word, and I don't want to use it because I feel like the folks at Pixar pour a lot of time, energy and creativity into their projects. They can certainly be forgiven this one blip when they have set the bar so high for themselves. When it comes down to it, what would have been perfectly acceptable as a direct to video sequel does not cut it as a full-blown theatrical release from the studio that made two sequels to Toy Story that actually got better in quality as the series progressed.

Wait until someone tells them that they can't drive
away from their own movie.  They won't be happy.

There was absolutely nothing that I enjoyed about Cars 2 and a lot of things that really got on my nerves. All of the problems I had with the original were exponentially worse and all of the newer elements were even more grating still. The beating heart of the first movie was Doc Hudson, whose character's absence is swept away in one twenty second scene and never really touched upon again, and Radiator Springs, which is only seen in the very beginning and end. It gives me a bit of insight as to why they are calling the new area of California Adventure Cars Land rather than Radiator Springs. It seems to be all about branding over immersive experience, which is a shame. I'm kind of sad that the movie is getting a whole land at a theme park in the first place.

The new film is a loud, bright sensory assault with lots of explosions and corny humor. It's what we expect of a typical computer animation movie these days. All surface and no depth. Except Pixar movies are not typical computer animation. They are great movies. Some of the best films made by anyone, anywhere, by anyone's standards. I can't help but feel like for the first time Pixar is pandering. They made a film for no other reason really than to sell booty-loads of merch, which they are.

I think they're turning Japanese. I really think so.

I have never been the biggest Mater fan, and the character takes center stage here. The moral of the story want to be "Be yourself" but ends up more like "Perpetuate the stereotype of the Ugly American". But no one pays attention to the lessons to be learned anyway because they are too busy watching things zoom by and blow up. There is what felt like inappropriate violence to the car/people things. One was tortured and then murdered in what seemed like a very cruel manner. Several others die as well. The humor was boneheaded and obvious. The tender scenes felt like nothing but a series of empty platitudes. All attempted emotional payoffs were completely unwarranted and fell flat. The visuals were all eye candy but completely unoriginal. (Tom was amused by the look of the scenes in Japan, though.) The plot was convoluted and the storytelling was way off track. There was self-referencing and catchphrasing that would seem clever in a better movie, but feels lazy here. They put a lot of effort into making things bright and shiny, but it felt like it was only to distract you from the fact that the movie underneath just isn't very good. It worked on the kids around us sometimes. They seemed to get excited when stuff went kapow. Other times they seemed just as bored and confused as we were.

I must say that John Lasseter, who directed and did the story for Cars 1 & 2, A Bug's Life, Toy Story 1 & 2 along with many shorts is probably my least favorite Pixar director. He is often compared to Disney, and I don't think that the comparison is terribly off the mark. It seems that his real strength is as a visionary and as someone who brings out the strengths and talents of others. Disney himself didn't do much of the hands on creation. He was the idea man. I think Lasseter is best when he is in the same kind of position.

I cannot wait for Brave! Have I said that enough yet?

The only thing about the movie that I genuinely liked was the Toy Story short that came before it, which was very good. I'm hoping that this is not a bellwether for Pixar. I'm not too worried since the next film, Brave, which comes out next summer already looks glorious. I don't want to come down too hard on Pixar. I know that they are a business and they they have to established their brand and make money. Do that on DVDs and on store shelves, but not in the theater. We hold Pixar to a higher standard because we know what the studio is capable of and they have very seldom let us down. Hopefully they will pay attention to what seem like less than stellar reviews and not exactly amazing box office and focus on their strengths- innovation and storytelling.

As for me, I am looking forward to my trip to the Hundred Acre Wood in ten days. Did anybody else see Cars 2? What were your thoughts? Am I way far off course or did you think that the movie was a big old lemon, too?

A Pixar Princess?!?

Bit by bit, information is being released regarding next summer's new Pixar film, Brave. I am super excited by everything that is coming to light. Here is the official synopsis.

Brave is set in the mystical Scottish Highlands, where Merida is the princess of a kingdom ruled by King Fergus and Queen Elinor. An unruly daughter and an accomplished archer, Merida one day defies a sacred custom of the land and inadvertently brings turmoil to the kingdom. In an attempt to set things right, Merida seeks out an eccentric old Wise Woman and is granted an ill-fated wish. Also figuring into Merida’s quest — and serving as comic relief — are the kingdom’s three lords: the enormous Lord MacGuffin, the surly Lord Macintosh, and the disagreeable Lord Dingwall.

So, what we have here is a Pixar princess movie, which makes me do a dance of happiness every time I think about it! Plus, check out the spectacular teaser poster. Stunning, innit?


As I did with the Disney animated classics in the Disney Project, I am watching every Pixar film in chronological order. It took me a long time to come around to what Pixar was doing. I love classic hand-drawn animation and had to be dragged kicking and screaming to the Pixar party. These were not the movies of my childhood, and so any appreciation I gained for them had to be earned on their merits as a film watched by an adult unclouded by childhood memories. Monsters Inc. got me hooked, and I've been a big supporter ever since. 


The only lapse, in my mind, in their amazing track record is Cars, which was the last film I watched for the Project. I will blog both the Pixar and Disney Projects and go into more detail on my thoughts on the films, but for now suffice it to say, "Bah." I didn't get it. The storytelling lacked, the characters didn't land, the animation looked great, but for what? I felt watching Cars like most little boys feel like watching a typical girly movie. I was antsy, anxious, easily distracted, and, sad to say it, bored. 

This summer's Pixar slot is to be filled with Cars 2. Womp. I know that Pixar has proven itself to be able to do great sequels with Toy Story 2 & Toy Story 3, but there's nothing about the first Cars that made me want another movie in the series. It made me want one less. For those of you non-mathematicians, like me, I'm saying I'd rather not have even had the first one. I am pleased as punch about Monsters University, the upcoming prequel to Monsters Inc. That's a story I would love to see expanded. Suffice it to say that this summer is a wash as far as Pixar is concerned. 

This leaves me looking forward to Brave next summer. I'm already all twitterpated over it, though only the tiniest bit of info is available. It was originally conceived and directed by Brenda Chapman, who is the first woman to direct an animated movie at a major studio (Prince of Egypt, which I didn't love, but Tom does) and was to be the first female director for Pixar. Lately, she has stepped down from control, passing the reigns to Mark Andrews, who was story supervisor on The Incredibles, which is an astounding movie. 

The film is being touted as a story in the Grimm fairy tale tradition, with dark and adult overtones. Knowing Pixar, it won't go too far in that direction, which is a good thing, but I'm excited to see them continue to push the boundaries of what their creative minds can do and what the audiences will come to see. All of their best films do just that. They have also brought on a non-starry but very strong vocal cast including Kelly MacDonald from Boardwalk Empire, Julie Walters and Emma Thompson.

Plus, for the first time in a Pixar film, the central leading character is a lady. And a princess, no less. Considering that this is the studio that has changed the way that I look at toys, fish, super heroes, robots, and monsters, I have no doubt that they are going to have a completely original take on what a "princess movie" can be.  The concept art that has been released is really stellar. Look at her! She looks like she is ready to kick some butt and take some names!


Disney had a bit of a princess renaissance with The Princess and the Frog and Tangled. Both were well-reviewed and popular and both introduced a new princess into the canon. Both retained the magic of traditional storytelling while making the films speak to modern audiences. Unfortunately, after releasing two gorgeously animated, beautifully written and acted princess films, there is not another one on the horizon. 

It's in Pixar's hands now to uphold the genre. I have so many questions. Will Princess Merida be able to be a full-fledged Disney Princess? What will set her apart from the other ladies? How will Pixar shake up what Disney has of late done a pretty great job of shaking up itself? How will a female-driven storyline change the dynamic of a Pixar film? How will the change of directors affect the final outcome? How successful will Pixar be at a story that, in truth, seems more suited to Disney animation?


 We'll have to wait until next summer to get some answers, but I, for one, fully expect Pixar to be right on target with this one.

Odd Disney World: Disney Remixed

I am starting a series of posts about strange Disney miscellanea, Odd Disney World, with these amazing videos. I saw them a while back and had forgotten all about them until this morning when I was on the couch with Tom before work and the music from this video broke through the morning news.

This is my favorite album artwork for Alice in Wonderland.
I love the art nouveau style and the crazy colors. One just
 like is currently hanging on my wall. Are you surprised?

No. You are not high. I promise. The sound is pretty unmistakable. I muted the news and became mesmerized all over again. I think this video does a pretty spectacular job of taking the inherent trippiness of Disney's version of the story and putting a fresh spin on it. Tom and I are huge Alice in Wonderland fans. Tom is an Alice stickler, especially. He feels that the Disney version is actually the one that does the original Lewis Carroll book the most justice. He is fiercely protective of the reputation of the film, which I think is finally emerging from the shadow of a decades long and undeserved bad rep. With it's quirky storytelling, gorgeous animation, incredible Mary Blair styling, and wonderfully strange yet pitch perfect music, I think Alice in Wonderland is a landmark in the Disney classic canon. If you haven't gotten the recent Blu-ray release, do it ASAP. They finally gave the film a release that does the art justice and has a slate of fantastic bonus features that really take full advantage of what Blu-ray can do.

This musician takes a very basic underlying beat and a few chords and layers them with sounds and vocals that he culls from movies. What is so surprising is that when he does it with other films, ones that seem less drug induced by nature, it works just as well. On his Youtube channel there are ones for several other Disney and Pixar films, Willy Wonka and the Chocolate Factory, Harry Potter and H.R. Pufnstuf, among others. The music he creates is haunting and familiar, a little scary, but beautiful and very enjoyable. I love that you can tell this guy is a big ole Disney geek as well as super-talented. I am a full-on fan.

Take a few minutes to check out one or all of these little masterpieces. It will be well worth it, I promise. Which one was your favorite? Do you love them or are you a little bit creeped out? Maybe both? I would love to hear your thoughts!

Snow White and the Seven Dwarfs

Mary Poppins

Several films including The Little Mermaid, Aladdin, Peter Pan, Cinderella and Sleeping Beauty

Up

The Sword in the Stone

Toy Story